Dimarzio Dp 117 Hs-3
By Rockmonster on 03/29/2008 at 23:53 Serious about music, want to make it your profession.
By Rockmonster on 03/29/2008 at 23:53 Serious about music, want to make it your profession.
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Using this pickup for 2 years now. I dislike this for cleans.. as it is quite sterile and lacking in personality. It is not bad, per se... it can certainly be clean, but has no quack or other desirable single coil characteristics in clean or distorted mode for that matter.. this pickup seemed to be designed for one thing... to have gain heaped upon it and not get muddy.. even with the signal loaded, trebles up basses up. this can handle extreme amounts of gain. Retains clarity.. and begins to sing as you increase your gain. Very odd philosophy behind this. You totally use your amps gain.. this is very low output. The opposite idea behind say, an EMG 81. The signal hitting the amp is weak.. but this lets you dime your rig without your sound turning to mush. You would need to lower your gain on your amp if using hot pickups as opposed to being able to crank it. I have used lots of pickups.. this has changed my overall approach to my sound. I like using other devices to achieve my gain now.. and use pickups like this and the EJ Custom. Add all the distortion I want and no slop. Just a detailed warm sound with lots of heat. I can get metal sounds... but with character. Becomes more fluid/flutey as you add more gain.
I think this is an insane value for the price. If you can't get a great heavy sound out of this.. get rid of your amp. Or maybe get a guitar that is not made of concrete. Get a wooden one.
I will always have a guitar with this pickup in it. I give it a "9" because I need it for my tone. It allows me to achieve heavy heavy sounds.. but not at the expense of detail.
I think this is an insane value for the price. If you can't get a great heavy sound out of this.. get rid of your amp. Or maybe get a guitar that is not made of concrete. Get a wooden one.
I will always have a guitar with this pickup in it. I give it a "9" because I need it for my tone. It allows me to achieve heavy heavy sounds.. but not at the expense of detail.
Mounted on a ebmm JP6
The d-sonic is one step higher than the tone zone: précision, modern sound. Great pickup for distorted rythms and solos.
You have two ways of installation: if you have heavy gauges strings or drop tunings you can install the pickup with the blade towards the bridge. If you play with standard tuning and strings, put the pickup the opposite way, (it increases the mids for a shredder oriented sound)
I have also played on dimarzio Steve's special, Evolution, Tone zone, Seymour duncan JB, EMG 81, EMG 85...
an excellent pickup for métal
The d-sonic is one step higher than the tone zone: précision, modern sound. Great pickup for distorted rythms and solos.
You have two ways of installation: if you have heavy gauges strings or drop tunings you can install the pickup with the blade towards the bridge. If you play with standard tuning and strings, put the pickup the opposite way, (it increases the mids for a shredder oriented sound)
I have also played on dimarzio Steve's special, Evolution, Tone zone, Seymour duncan JB, EMG 81, EMG 85...
an excellent pickup for métal
F-spaced version mounted on a ebmm JP6
The tone zone is a standard: précision, modern sound. Great pickup for palm mute... not so great for solos or clean
I have also played on dimarzio Steve's special, Evolution, d-sonic, Seymour duncan JB, EMG 81, EMG 85...
a good pickup for métal
The tone zone is a standard: précision, modern sound. Great pickup for palm mute... not so great for solos or clean
I have also played on dimarzio Steve's special, Evolution, d-sonic, Seymour duncan JB, EMG 81, EMG 85...
a good pickup for métal


